{"id":4056,"date":"2022-01-05T00:31:14","date_gmt":"2022-01-04T23:31:14","guid":{"rendered":"https:\/\/www.mikro-wellen.net\/wordpress\/?p=4056"},"modified":"2023-08-12T22:21:21","modified_gmt":"2023-08-12T21:21:21","slug":"best-of-2021","status":"publish","type":"post","link":"https:\/\/www.mikro-wellen.net\/wordpress\/best-of-2021\/","title":{"rendered":"Best of 2021"},"content":{"rendered":"

Ein weiteres Jahr Pandemie hat uns in unsere jeweiligen kleinen Universen gefesselt und wenig Spielraum f\u00fcr \u00dcberraschungen geboten. Live Events waren selten und fanden in einem merkw\u00fcrdig ged\u00e4mpften Rahmen statt. Sind das vor\u00fcbergehende Zust\u00e4nde oder hat sich die Welt dahingehend ge\u00e4ndert, dass wir uns mit diesen neuen Gegebenheiten auch in Zukunft arrangieren werden m\u00fcssen? Welcher Konsens l\u00e4sst sich noch erreichen in einer gef\u00fchlt zersplitterten Gesellschaft, deren \u00e4ussere Extreme den Echoraum der Sozialen Medien besetzen und bewirtschaften?
\nWir bewahren uns trotz allem einen verhaltenen Optimismus, gepaart mit Neugier und der Offenheit f\u00fcr Experimente, und w\u00fcnschen uns und allen ein neues Jahr voller positiver \u00dcberraschnungen.<\/h4>\n

Music<\/span><\/h2>\n

\"\" Heta Bilaletdin<\/span> – Nauhoi<\/p>\n

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\"\" Warrington Runcorn New Development Plan<\/span>– Interim Report, March 1979<\/p>\n

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\"\" Mikis Theodorakis<\/span> – Axion Esti<\/p>\n

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\"\" The Chills<\/span> – Scatterbrain<\/p>\n

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\"\" Gaute Granli<\/span>– Blusens Fasong<\/p>\n

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\"\" Sarah Terral<\/span>– Le M\u00e9nisque Original<\/p>\n

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\"\"Phew<\/span> – New Decade<\/p>\n

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\"\"Igor Stravinsky<\/span> – Le Sacre du Printemps<\/p>\n

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\"\" Hattie Cooke<\/span>– Bliss Land<\/p>\n

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\"\"<\/em><\/strong> Filipe Felizardo<\/span>– Red Cross<\/p>\n

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\"\"<\/em><\/strong> Maria Da Rocha<\/span>– No Lasting Name<\/p>\n

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\"\" Niagara<\/span>– 1807<\/p>\n

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\"\" Teresa Winter<\/span> – Motto Of The Wheel<\/p>\n

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\"\" Dohnav\u00f9r<\/span>– The Flow Across Borders<\/p>\n

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\"\" Dry Cleaning<\/span> – New Long Leg<\/p>\n

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\"\" Blanketman<\/span> – National Trust<\/p>\n

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\"\" Faust<\/span>– 1971-1974<\/p>\n

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\"\" Jos\u00e9 Mauro<\/span> – A Viagem Das Horas<\/p>\n

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\"\" Goldblum<\/span>– Of Feathers And Bones<\/p>\n

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\"\" Sons Of Kemet<\/span> – Black To The Future<\/p>\n

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\"\" Cassandra Jenkins<\/span>– An Overview On Phenomenal Nature<\/p>\n

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\"\" Tirzah<\/span> – Colourgrade<\/p>\n

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\"\" Various Artists<\/span> – Antologia De M\u00fasica At\u00edpica Portuguesa Volume 3: Canto Devocion\u00e1rio<\/p>\n

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\"\" Aquaserge<\/span>– The Possibility Of A New Work For Aquaserge<\/p>\n

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\"\"Tassos Chalkias<\/span> – Divine Reeds<\/p>\n

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\"\"Fatigues<\/span> – L’Rain<\/p>\n

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\"\"Rebecca Vasmant<\/span> – With Love From Glasgow<\/p>\n

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Film\/TV<\/span><\/h2>\n

\"\" Todd Haynes<\/span>– The Velvet Underground<\/p>\n

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\"\" Catarina Vasconcelos<\/span> – A Metamorfose Dos P\u00e1ssaros<\/p>\n

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\"\" Just Philippot<\/span> – La Nu\u00e9e<\/p>\n

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\"\" Christian Petzold<\/span> – Udine<\/p>\n

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\"\" Brad Ingelsby<\/span> – Mare of Easttown<\/p>\n

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\"\" Jac Schaeffer<\/span> – WandaVision<\/p>\n

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\"\" Hwang Dong-hyuk<\/span>– Squid Game<\/p>\n

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\"\" Sarah-Violet Bliss\/Charles Rogers\/Michael Showalter<\/span> – Search Party<\/p>\n

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\"\" \u03a3\u03c9\u03c4\u03ae\u03c1\u03b7\u03c2 \u03a4\u03c3\u03b1\u03c6\u03bf\u03cd\u03bb\u03b9\u03b1\u03c2<\/span> – \u0388\u03c4\u03b5\u03c1\u03bf\u03c2 \u03b5\u03b3\u03ce: \u03a7\u03b1\u03bc\u03ad\u03bd\u03b5\u03c2 \u03a8\u03c5\u03c7\u03ad\u03c2<\/p>\n

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\"\" Kaneto Shind\u00f4<\/span> – Onibaba (1964)<\/p>\n

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\"\" John Wilson<\/span> – How To With John Wilson<\/p>\n

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\"\"Ry\u00fbsuke Hamaguchi<\/span> – Drive my Car<\/p>\n

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\"\"Leos Carax<\/span>– Annette<\/p>\n

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\"\" Jesse Armstrong<\/span> – Succession S.3<\/p>\n

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\"\" Shaka King<\/span> – Judas and the Black Messiah<\/p>\n

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\"\" Ashley Lyle\/Bart Nickerson<\/span> – Yellowjackets<\/p>\n

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Books<\/span><\/h2>\n

\"\" Mariana Enriquez<\/span> – Nuestro Parte Da Noche (bzw. A Nossa Parte Da Noite)<\/p>\n

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\"\" Ulrich Peltzer<\/span> – Das Bist Du<\/p>\n

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\"\" \u039c\u03b1\u03c1\u03af\u03b1 \u0395\u03c5\u03b8\u03b7\u03bc\u03af\u03bf\u03c5<\/span> – \u03a1\u03af\u03b6\u03b5\u03c2 \u03ba\u03b1\u03b9 \u0398\u03b5\u03bc\u03ad\u03bb\u03b9\u03b1<\/p>\n

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\"\" Angela Lehner<\/span> – Vater Unser<\/p>\n

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\"\" David Peace<\/span>– Tokyio Redux<\/p>\n

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\"\" Benjamin Berton<\/span>– Dreamworld<\/p>\n

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\"\" C\u00e1tia Vieira<\/span>– Lola<\/p>\n

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\"\" Samanta Schweblin<\/span>– Siete Casas Vac\u00edas (bzw. Sete Casas Vazias)<\/p>\n

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\"\" Jhumpa Lahiri <\/span>– In Other Words<\/p>\n

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\"\" Olaf Arndt<\/span> – Unter Deutschland<\/p>\n

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\"\" Paulo Moura<\/span> – Extremo Ocidental<\/p>\n

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\"\" \u039c\u03b9\u03c7\u03ac\u03bb\u03b7\u03c2 \u039c\u03b1\u03ba\u03c1\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2 <\/span>– \u039c\u03b1\u03cd\u03c1\u03bf \u039d\u03b5\u03c1\u03cc<\/p>\n

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\"\" George Simenon<\/span> – Betty\/Der M\u00f6rder\/Die Marie Vom Hafen\/Das Haus Am Kanal<\/p>\n

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 <\/p>\n

\"\"\u03a0\u03ad\u03c4\u03c1\u03bf\u03c2 \u039c\u03ac\u03c1\u03ba\u03b1\u03c1\u03b7\u03c2<\/span> – \u039f \u03a6\u03cc\u03bd\u03bf\u03c2 \u03b5\u03af\u03bd\u03b1\u03b9 \u03a7\u03c1\u03ae\u03bc\u03b1<\/p>\n

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 <\/p>\n

\"\"Rachel Cusk <\/span>– Second Place<\/p>\n

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\"\"Colston Whitehead <\/span>– Harlem Shuffle<\/p>\n

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\"\" Robert Louis Stevenson<\/span> – Travels with a Donkey in the C\u00e9vennes<\/p>\n

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 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Ein weiteres Jahr Pandemie hat uns in unsere jeweiligen kleinen Universen gefesselt und wenig Spielraum f\u00fcr \u00dcberraschungen geboten. Live Events waren selten und fanden in einem merkw\u00fcrdig ged\u00e4mpften Rahmen statt. Sind das vor\u00fcbergehende Zust\u00e4nde oder hat sich die Welt dahingehend ge\u00e4ndert, dass wir uns mit diesen neuen Gegebenheiten auch in Zukunft arrangieren werden m\u00fcssen? Welcher […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,1272,626],"tags":[],"class_list":["post-4056","post","type-post","status-publish","format-standard","hentry","category-allgemein","category-best-of","category-yearly-review"],"_links":{"self":[{"href":"https:\/\/www.mikro-wellen.net\/wordpress\/wp-json\/wp\/v2\/posts\/4056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mikro-wellen.net\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mikro-wellen.net\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mikro-wellen.net\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mikro-wellen.net\/wordpress\/wp-json\/wp\/v2\/comments?post=4056"}],"version-history":[{"count":31,"href":"https:\/\/www.mikro-wellen.net\/wordpress\/wp-json\/wp\/v2\/posts\/4056\/revisions"}],"predecessor-version":[{"id":4162,"href":"https:\/\/www.mikro-wellen.net\/wordpress\/wp-json\/wp\/v2\/posts\/4056\/revisions\/4162"}],"wp:attachment":[{"href":"https:\/\/www.mikro-wellen.net\/wordpress\/wp-json\/wp\/v2\/media?parent=4056"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mikro-wellen.net\/wordpress\/wp-json\/wp\/v2\/categories?post=4056"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mikro-wellen.net\/wordpress\/wp-json\/wp\/v2\/tags?post=4056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}